TOP HOTEL顶级酒店杂志专访OAD欧安地中国区总裁李颖悟
2016-07-13
在未来突破设计的思维,从人和创意出发,强调地域文化的“延时性”和“根生性”为消费者营造与众不同的场所和生活体验,将是我们酒店设计从业者所专注的焦点所在。近日,OAD欧安地中国区总裁就酒店和度假区设计的新趋势接受了《顶级酒店》的专访。
OAD欧安地建筑设计事务所中国区总裁李颖悟先生
《顶级酒店》:我们知道,西双版纳万达文华度假酒店、西双版纳万达希尔顿逸林度假酒店和西双版纳万达皇冠假日度假酒店均由欧安地建筑设计事务所设计完成。在设计上,他们各自有什么特色?之间是否有联系?
李颖悟:三间酒店之间既有联系,又各具特色。它们都属于傣族地方风格的度假酒店,但它们的市场定位、文化与构思、规模与形式、场景与细节都不一样。这三间酒店是通过一个景观休闲廊道串联起来的。单从设计构思的角度分析,三间酒店都在同一个山上,但因所在山顶和山脚的地理位置不同,所带来的场景体验也各具差异。超五星级万达文华度假酒店是依山而建,像掩映在雨林绿树中的隐秘王宫。我们因地制宜,随山采形,结合当地传统文化,加以现代手法,组合成宜人尺度的院落空间,形成极佳的景观视野。希尔顿逸林酒店要求400多间客房的大体量,建筑师采用极具地域特色的竹楼民居形式,构成自然的村寨聚落,采用传统韵味的创意造型与多重花园的浪漫空间的自然过渡将大体量感削弱,打造出独具创意的、民族的、宜人的建筑空间之美。
《顶级酒店》:近日,西双版纳万达文华酒店成功入围第十二届国际HD Awards(Hospitality Design Awards)最佳度假酒店奖。此前,也被意大利著名设计网站Designboom(Designboom成立于1999年,是世界上第一个,也是最受欢迎的建筑和设计类的数字媒体)评为“2015年全球十佳度假酒店”,且是唯一上榜的中国酒店。您认为,酒店的建筑设计对酒店有着怎样的意义?
李颖悟:环境和服务是酒店的关键因素,在这两点中,设计在环境的领域非常重要,尤其是度假酒店。度假酒店需要在文化、场景和功能三方面统一考虑,达到平衡。建筑师在设计初期就要考虑如何依靠功能和自然场景更好地表达酒店的文化气质,并进行二次周密的推敲,达到自然天成,营造出无法模仿和复制的个性场景。在度假酒店追求个性化的今天,酒店设计越来越重要,一个好的环境是客人进入酒店的第一印象,在营造酒店性格和特色方面有不可替代的作用。在此基础上,经过良好的运营和服务配合,才是衡量一个酒店成功的标准。因此,环境和服务这两方面的因素,缺一不可,同生同长。
《顶级酒店》:在进行酒店设计时,您是如何处理建筑设计与室内设计的关系?
李颖悟:在度假酒店的设计中,我们提倡“导演思维”,即设计师作为导演,把设计的各要素统一安排,将建筑、室内和景观合为一体,统一布局。从顾客的休闲需求、体验需求和服务需求出发,合理设置建筑、室内和景观的功能。虽然设计的具体分工可以分建筑设计和室内设计,但是利用导演的思维去斟酌,一体化的设计系统其实就是一个优秀的剧本著作。如想象客人穿梭在酒店中,抬头可望建筑美景,驻足可触摸生机怏然的庭院景观,再进入到温馨雅致的酒店大堂,模拟体验这一系列的剧本场景,享受休闲度假中的桃园感受,这就是酒店设计中必不可少的成功要素之一。
《顶级酒店》:近年来,国内的酒店设计师越来越重视本土化和民族化,您是怎样理解这种文化元素的回归?
李颖悟:过去,很多人都忽略了城市的地域文化。我们一直反对忽略地域文化特点,一味追求国际化和标准化的设计。我们希望在尊重传统地域文化基础上,在一个近人的尺度下,考虑人性化设计,让民族文化的种子在度假建筑的土胚中生根。休闲度假时代已经来了,游客现在要体验的是当地的风土人情和原始的自然风貌,品尝地道的当地美食,这些本土化和民族化的需求,更有利于打造对自己的文化有自信的城市。
《顶级酒店》:据我们了解,您是旅行达人,深度游历了20余国,考察过数不尽的酒店,品悟了世界各地人文、历史与文化,可否与我们分享一下您在旅行中对酒店设计的心得与体会?
李颖悟:我非常喜欢深度游,渴望在每一次旅行中探索每个城市的建筑精髓。我经常会对我们的建筑师说:在自然环境里怎么去建造“消隐建筑”,怎么把建筑和景观做得浑然一体,怎么利用当地资源的优势,这些都是设计重点。游客已不是单纯地需求住宿功能的酒店,而是需求更休闲化、情景化的旅游体验,因此我们要做到每个项目都必须进行深度地调查与研究,探寻当地特有的文化,再根据不同的需求,做有目的的延展性设计任务。
经济转型的时代提供了国际化的舞台,东西方文化的交融,使得东方的酒店更受国际游客的青睐,我们应把中西方生活方式合理地融入到设计当中,让中国度假酒店更有国际影响力。
《Top Hotel》: As we know, Wanda Vista Resort Xishuangbanna, Doubletree Resort by Hilton Hotel, Xishuangbanna and Crown Plaza Resort Xishuangbanna Parkview are all designed by Office for Architecture & Design. What are design characteristics of them? Is there any relationship between them?
Eric Lee:There are connections between the three hotels but they all have their own features. Although the three resorts are all located in the same culture center of the Dai minority, they have very different market positions and their own challenges between culture and concept, size and scheme, space and details. Those three hotels are connected by a landscape corridor. From the design point of view, they are in the same mountain, but the location on top of the mountain creates a completely different experience from the one located at the foot of the mountain. The super five star Wanda Vista Resort located on the hilltop, looks like a palace hidden in the forest. We take the mountain shape and the local architecture, insert modern elements, and create pleasant courtyards and excellent landscape views. The Hilton Doubletree Resort required a huge volume with 400 rooms and the architects recreated many natural villages with local bamboo style houses, and decreased the huge volume by creating joint gardens and interesting shaped buildings, bringing a romantic, creative, pleasant local style architecture.
《Top Hotel》:Recently, Wanda Vista Resort Xishuangbanna was listed in the Best Resort Category in 12nd Hospitality Design Awards. And before it has won the honor of Top 10 Getaways and Resorts of 2015 that was appraised by famous design website Designboom (Founded at 1991, the first and the most popular architecture and design digital media). In your opinion, what’s the meaning of architecture design for a hotel?
Eric Lee:Environment and services are two key points for hotel business and design plays a very important role in environment, especially for resorts, because it requires a harmony among culture, space and function. The architects need to consider how to maximize local culture by place making and functional building at the first phase, then a lot goes into details, creating a natural, unreplicated place with unique features. Nowadays resorts are so competitive and require good design. A good environment is the first impression to the guests, it does a lot to the hotel characteristic and styling. A good environment, plus a good operation system and a good service is the key to a successful hotel. Therefore environment and service come together, not one less.
《Top Hotel》:How do you deal with relationships between the architecture design and the interior design when you are doing a hotel project?
Eric Lee:We have “director thinking”, which requires designers to think like movie directors. We combine architecture, interior and landscape based on client needs for relaxation, experience and services. Design can be divided into two parts, architecture design and interior design, but by the means of a director thinking, an integrated design system is already a fine script itself. Imagine guests are walking through the hotel, surrounded by beautiful courtyards, a cozy but elegant lobby, etc. This series of place making creates a city getaway; this is the core in hotel design.
《Top Hotel》:In recent years, domestic hotel designers are pay more attentions to localization and nationalization. How do you think about this phenomenon?
Eric Lee:Some people forget the local culture in the past but OAD has always objected to neglecting local culture and merely pursuing the traditional and international design. We create friendly resorts based on the local culture and history. We have come to a new lifestyle, visitors want to experience the local customs and natural landscape, taste local cuisine, and those experiences are building up a confident city image.
《Top Hotel》:As we know, you have worked for different architecture companies, like Taiwan Hanghuag Group and Rotwein & Blake and have traveled more than 20 countries. Could you share with us your experience?
Eric Lee:I love travel, and hope to fully explore each city. I’m always telling my team that it is very important for architects to take the best of the existing resources and bring it back to the architecture, combining it with landscape and creating “hidden architecture”. The modern tourists are expecting not only the hotel function, but also living experience on leisure and space. That’s why we try our best to research for each project, creating a series of new products and services that meet guest requirements.
The economic change brings about an international stage, where the eastern meets the western, and more people appreciate eastern hotels, we should bring different lifestyles to the design and make Chinese resort have stronger international influence.
《顶级酒店》的编者希望成为“设计珠贝”的收集者,收集更多各个时代、各个区域及各种文化的优秀作品,让设计师收获灵感,加以创新,成就独属自己的设计项目。反过来,于设计师而言,如何获取灵感、如何坚持自己的设计理念,创作出令人满意的作品是其不得不思考的问题。那么,能够博古通今、广泛涉猎是其中的关键。《顶级酒店》每年出版6期,旨在全面、系统、及时地介绍世界各地的顶级酒店,为行业内有关人士提供高端酒店资讯和实用参考。
转载于明月国际出版社
扫描二维码分享到微信